69. 69AR YIANNIS SPYROPOULOS (1912-1990) Art & décoration

Description

69. 69AR YIANNIS SPYROPOULOS (1912-1990) Dans la forêt V signé en grec (en bas à gauche) huile sur toile 70 x 110 cm. Peint en 1958 Literature Y. Papaioannou, The Work of the Painter Yannis Spyropoulos, doctoral dissertation, Athens 1994, no. 432, 58/3, p. 281 (catalogued). Y. Papaioannou, Yannis Spyropoulos - Monograph, Yannis and Zoe Spyropoulos Foundation, Athens 2010, no, 432, p. 210 (mentioned and illustrated). Impetuous gestural brushwork and disciplined compositional structure are brilliantly harmonised to produce a captivating mixture of simplicity and sophistication. Sinuous lines and energetic shapes are set in motion by circular gestural marks that endow the composition with an improvised yet coherent inner rhythm. The Greek landscape—with its masonry fences, arches, courtyards, and dry stone walls observed from afar as outlined geometrical shapes—constituted a major source for the artist's visual inquiry before evolving into a sophisticated language of abstract forms.1 "The golden-yellow colour that comes to dominate the work of Spyropoulos by 1960, and which in essence reflects nothing more than the presence of sunlight, or rather Greek light, is something he finds around and within himself, in the past from which he hails and the present where he belongs. It reveals the influence of the Byzantine icon painting he grew up with and his familiarity with the Greek light under which he lives, while at the same time his work expresses the intricate nature of modern artistic creation."2 1 : See L. Tsikouta, "Processes, Influences, Assimilations, Personal Idiom, Birth of an Artwork: The Case of Jannis Spyropoulos" in Jannis Spyropoulos, The Classicist of Abstraction, exhibition catalogue, National Gallery and Alexandros Soutzos Museum, Athens 1995, p. 141. 2 : C. Christou, Jannis Spyropoulos [in Greek], Athens 1962, p. 158.